SEC. 6. CHARACTER-DEFINING FEATURES.
Whenever a building, district, site, object, or landscape is under consideration for Article 10 Landmark designation, the Historic Preservation Commission is required to identify
character-defining features. This is done to enable owners and the public to understand which elements are considered most important to preserve the historical and architectural character of
the proposed landmark or landmark district.
The character-defining interior features of buildings in the district are identified as: None.
The character-defining exterior features of contributory buildings in the district are identified as: All exterior elevations, rooflines, historic doors and fenestration, historic materials and
finishes, historic front setbacks, and historic architectural details, as described below.
The following section describes in further detail the character-defining features of the district and of individual buildings.
A. Overall Form, Scale and Proportion
Due to the brief period of construction – most contributory buildings were constructed between 1865 and 1905 – buildings within the district exhibit characteristics of one of two basic
residential property types: single-family early residential or multi-family reconstruction residential (as defined in the Mission Dolores Context Statement).
District buildings are almost all residential, composed primarily of detached, attached or semi-attached, single-family dwellings and residential flats or apartments. A couple of mixed-use
buildings within the district (typically located on street corners) with residences on upper floors also include commercial use at the street level. Buildings in the district range from 1 ½
story-over-basement to four stories in height, with 1 ½ and three stories predominating. Roof forms are predominantly flat, front-facing gable, or front-facing gable behind a projecting
parapet and/or cornice. Several buildings have hipped roofs.
The district’s smallest residences are on lots facing the neighborhood’s alleys and narrow mid-block streets. These buildings are typically 1 ½- to two-stories in height, have raised,
recessed entrances accessed by straight-run wood staircases with turned balustrades, often have deep front setbacks, and feature Folk Victorian, modest Italianate or Stick-Eastlake detailing
on the primary, street-facing facades. Folk Victorian style buildings are often adorned with basic decorative elements such as spindle work porches. Some of these smaller buildings have
been converted from single- to two-units.
Buildings fronting wider streets – 17th and Dolores streets – have larger footprints, are taller, and consist of residential flats or apartments. These buildings are typically 2 ½- to four-
stories in height, have recessed, raised entrances, straight run stairs, and feature Queen Anne, Classical Revival, Italianate, or Stick-Eastlake detailing on the primary, street-facing facades.
Romeo Flats buildings at Dolores Street are built to the front lot line while residential flats buildings at 17th Street are often setback with front yards.
Although the roof forms – particularly at the non-visible rear facade – of a substantial number of buildings have been altered to incorporate skylights, small dormer windows, fire escapes,
stair penthouses, or solar panels these alterations were constructed outside of the Period of Significance and have not gained significance.
General characteristics of the district’s two primary residential building types (Single-Family Early Residential and Multi-Family Reconstruction Residential) and one sub-type (Romeo
Flats) are:
Single-Family Early Residential: Properties dating from the “Early Neighborhood Development (1864-1906)” period are unified by their common forms, massing, and materiality
representative of the early residential and agricultural development of the Mission Dolores neighborhood. Character-defining features of the properties within the district dating from this
period include:
• Small, one-story over- integrated garage or two-story massing
• Horizontal painted wood siding
• Front-facing gable roof, Italianate style flat-front parapet roof form, or projecting bracketed cornices
• Wood double-hung windows with ogee lugs
• Architectural ornament including brackets, applied columns, window and/or door hoods, and other façade ornamentation indicative of the various architectural styles
• Front setback or location on lot in reference to street
• Central or offset primary entrance and stair
Multi-Family Reconstruction Residential: Properties dating from the “Earthquake and Reconstruction (1906-1915)” period are unified by their larger scale, form, and massing to meet
housing needs of the growing population of the Mission Dolores neighborhood. Character-defining features of the residential flats or apartment buildings within the district dating from this
period include:
• Two or three-story over-integrated garage or three-story massing
• Horizontal painted wood siding
• Front-facing gable roof or projecting cornice
• Wood double-hung windows with ogee lugs
• Single or paired projecting bay(s) at front facade
• Front setback/location on lot in reference to street
• Offset entrance with recessed, straight-run original stair configuration
Romeo Flats: The Romeo flat, a San Francisco-based, high-density form of rental housing with four to six units, generally for working-class tenants, was typically built after the 1906
earthquake and fires. Romeo flats are multi-unit, residential buildings with three bays lining the façade. An open or enclosed, central winding staircase located in the central bay divides the
façade vertically. Balconies are located at each story of the central bay if it is open. When enclosed, windows are located at each landing. Several district buildings along Dolores Street are
Romeo Flats.
B. Materials and Finishes
Buildings in the district are of wood frame construction and were historically clad in horizontal wood siding. Exterior surface finishes are painted. Channel drop wood siding is typical at
the secondary and rear facades, while a combination of flush lap, channel drop, clapboard, or shaped shingles are typically found at the primary facades. Most buildings retain their historic
siding though a few were later clad in stucco, masonite, or composite shingle siding. These replacement siding materials have not gained significance.
Historically, there were several types of stairs constructed in the district: longer flights of wood stairs that typically project out from Italianate or Stick-Eastlake style buildings and shorter
flights typically found within the recessed entries of Progressive-era flats and apartment buildings. Many of the Folk Victorian residences have wood porches with spindlework details at
the ground level entrances.
At the buildings along alleys and narrow streets, entry stairs are often solid and uniform in appearance featuring closed risers, solid cheek walls beneath the stairs, turned wood
balustrades, and capped newel posts, and have a painted finish. Some flights of stairs were later replaced with new wood stairs and balusters. Raised entrances to these smaller residential
buildings lead to narrow openings highlighted with wood trim and bracketed hoods. Wood paneled and glazed doors with transom window sit within a shallow paneled recess.
Progressive-era buildings – Queen Anne or Classical Revival style – within the district, particularly those on 17th and Dolores streets, feature wood or terrazzo steps with solid cheek
walls and landings. These stairs are typically located partially within the building envelope and provide access to recessed entrance doors. The recessed vestibules have wood paneled walls,
coffered or stucco-clad ceilings, and floors clad in wood, terrazzo, or tile (usually hexagonal tiles with a polychromatic trim or mosaic tile). Entrances of Progressive-era flats are typically
flanked by Classical columns or pilasters, and decorated with applied plaster ornament, such as garlands and floral friezes.
While compatible, replacement stairs have not gained significance in their own right.
Existing gable roofs are typically finished with asphalt or composite shingles. Though generally compatible, these roofing materials have not gained significance.
C. Doors and Fenestration
Many of the district’s buildings retain their original primary entrance doors. These paneled wood doors, often slightly wider than contemporary entrance doors, are commonly glazed at
the upper portion and feature corniced and bracketed hoods and incised or applied ornament. Occasionally, a single fixed window is located adjacent to the entry door of Queen Anne
buildings, and many entry doors are topped with transom windows.
Fenestration is remarkably consistent throughout the district, consisting of vertically oriented double-hung single-light wood sash windows, with ogee lugs, set in wood surrounds.
Windows are typically set in wide angled bays with smaller windows set flush with the facade, often adjacent to or above the primary entry. Window surrounds are typically topped with
cornices, occasionally featuring pediments, with ornamented details. Smaller vertically oriented windows, set in a single or paired configuration, are typical on Italianate buildings. Some
windows have segmental-arched upper sash. Several buildings, typically Progressive-era flats buildings, feature curved wood sash windows set in curved structural bays. Angled or curved
bays typically contain three windows, though certain bays of corner buildings contain four or five windows. Most windows are rectangular although there are several buildings with arched
windows.
Large flats buildings, particularly Romeo flats, have continuous stacked angled bays flanking enclosed central stair with flush window at each landing.
On visible side and rear elevations, windows are typically single or paired double-hung sash with simple wood surrounds.
While many buildings within the district retain some or all historic double-hung wood sash windows with ogee lugs on primary, street-facing elevations, many others have replacement
sash. Replacement windows made of aluminum or vinyl sash, casement or slider windows, or windows with divided lights that were added to buildings after the Period of Significance have
not gained significance.
The addition of garages has altered the front facades and yards of many District properties. Many of the historic buildings within the district were not originally constructed with an
integrated automobile garage. Many front yards have been fully or partially paved to accommodate driveways for garages inserted in the basement of many buildings. Garage structures,
openings, and driveways have not gained significance.
Several corner buildings have ground floor commercial spaces that are characterized by glazed entry doors set in recessed vestibules with large, fixed storefront windows on solid raised
bulkheads. Transom windows span the storefronts.
D. Architectural Details
Common traits found throughout the district are bay windows, gable roofs, parapets, decorative cornices, ornamental shingles, and spindle work, as well as more classically influenced
detailing such as dentils, pediments, columns, and applied plaster ornament.
Late Victorian- and Progressive-era architectural styles predominate with Italianate, Stick-Eastlake, Queen Anne, and Classical Revival styles most widely represented. Architectural
details commonly found on the district’s Italianate and Stick-Eastlake buildings – usually at the smaller dwellings on alleys and narrow streets – include cornice lintels, bracketed hoods,
raised panel friezes and bracketed cornices, and false shaped parapets sometimes with pent roofs for Italianates (3639 17th Street features a canted bay window with colonette mullions and
an elaborate cornice at each story) and bracketed cornice caps, elaborate bracketed door hoods (flat or pedimented) and trim, false parapets with paneled friezes, brackets, raised porches
with spindlework frieze and turned wood supports, and projecting cornices on Stick-Eastlakes (3656 17th Street chamfered bay window features mullions with engaged colonettes and
paneled aprons, while a cornice defines its first story windows; 3620-3624 17th Street features a box bay capped with a tall, false pedimented gable with sunburst inlay).
Folk Victorian buildings were most often simple working-class residences, or modest vernacular buildings that were adorned with basic decorative elements such as spindle work porches
or cornice-line brackets
The district’s larger flats buildings, facing onto the wider, primary streets, are typically Classical Revival style, including all the district’s Romeo Flats buildings. Buildings in the district
in this style feature wide angled or round bay windows, flat roofs, bulky projecting cornices with modillions or dentils, raised panel spandrels, scroll keystones, broken entablatures, and
pedimented and columned porch or portico entries.
Architectural details commonly found on Queen Anne buildings in the district include raked cornices, flared eaves, shingled tympanums, fish-scale shingling, projecting bracketed
cornices, steeply pitched gable roofs, finials, geometric applied ornament at spandrel panels, dentils, friezes decorated with wood ornament, egg and dart molding, cut-out screens,
sunbursts, intermediate cornices, window and door hoods, spindle screens, turned wood balustrades and newel posts, turned wood porch supports, a variety of wood cladding and patterned
wood shingles, arched porticos, and Corinthian or Composite columns and pilasters.
(Added by Ord. 14-26, File No. 251100, App. 2/13/2026, Eff. 3/16/2026)